by Steve
Johnson
webdate: 6/6/97
The
second Mage story, Mage:
The Hero Defined, is due from Image
this year. Its creator, the prolific Matt Wagner,
plans to bridge the gap between the classic
series Mage: The Hero Discovered
and the new series with a special issue called Mage
#0.
MANIA: Now
American Entertainment is some way involved with
putting together Mage #0; how, exactly?
Matt Wagner: It's being offered exclusively
through them. That's pretty much a summary of the
involvement. They are doing it as a special pack
and they are also going to offer it later as a
single issue. And they are going to offer a
signed edition as well.
Now the whole
first part of the Mage trilogy was about
Kevin Matchstick discovering that he was a hero,
so Mage #0 isn't going to be an origin
issue; is it going to be a pre-origin issue?
The second series is called The Hero Defined ,
so for readers of the first series, it takes off
the first series and expands upon Kevin's
discovery. But conversely, I've also tried to
style this so that you can pick this up and just
read it fresh without having to have read the
first series. And so fa,r most of the people from
Image that have read it claim that it comes off
very well. You can tell when in-jokes are being
told, but it doesn't interfere with your ability
to just enjoy the series fresh from issue #1 or #0
of Hero Defined.
So it's a
bridge between the Hero Discovered, and the
Hero Defined but it's also a stand alone?
Yeah, a little adventure where Kevin meets the
fellow that is his traveling companion at the
beginning of issue #1, a fellow named Joe Phat.
Whereas the first series is about Kevin's
discovery that he is basically the reincarnation
of King Arthur, and where most of the supporting
characters, both supported, and defended his role
as the central hero, in this series he started
encountering other people who all have
superpowers and who all imagined themselves as
some reincarnated hero from the past as well.
So they've all
had similar experiences.
For instance Joe Phat is a reincarnation of
Hiawatha. There is a character in the first issue
who is the reincarnation of Hercules. Later there
is a Chinese hero that comes into it. At one
point they talk about Prester John, who was a
Christian hero. Possibly you'll get the idea that
there is this running sub-culture of these
fellows who are all superpowered reincarnations,
and then they're just guys in ratty T-shirts. So
it kind of brings it down to this real human
level, as opposed to this grand ... or I should
say, it's epic, on an intimate scale.
Okay, that's a
good way to put it. And of course the other guys
wear Batman T-shirts rather than Captain Marvel...
Well, no. The guy that's Hercules wears a patch
on the back of his jean jacket that bears the
shape of the Superman emblem, but it's a lion's
head. And if you remember your mythology, the
lion was kind of Hercules' totem.
Right, the
first of his 12 labors, then he wore the head as
a trophy thereafter.
Yeah, well Hihawatha's character, he wears a blue
T-shirt with a zig zag lightning bolt that goes
sideways. And his powers are more based on the
senses and speed rather than destructive power.
Finesse rather
then force.
Right, and he runs very fast and leaves a blue
streak behind him when he runs. That's where his
emblem comes from.
Do these guys
have a Mirth figure to explain to them what they
are up to?
Well, that is the thing. When following the first
series, we find out Kevin had traveled around the
world for a short while with Mirth, hunting down
the supernatural nasties that have gotten out
into the world. And one day Mirth just
disappeared in his typically enigmatic fashion
and left him a prophecy that some day there would
be a second Mage for him.
So even though
that is somewhere niggling in the back of Kevin's
mind, it's not an active quest that he's been on
per se. He knows what he's comfortable with now,
which is utilizing his bat and the power of
Excalibur, and basically really fighting monsters.
Now the
supernatural beings are leaking into the world
... but isn't Kevin, in fact, a supernatural
being that has leaked into the world?
Yes he is, and that question will come up after a
while: is this the end, or just the means to the
end? He's wiped out goblins and trolls and all
sorts of things but that hasn't really brought
him any closer to the goal he imagined when he
first took on this role.
And of course
he's had to pay a higher price now, with the loss
of his friends.
Yeah, and he hasn't necessarily become close to
anybody for a while, and now all of a sudden he
finds himself surrounded by a crew of compatriots.
The difference this time being they all seem to
have an agenda; they are not necessarily
recognizing him as the King, he's got this power
and he's the only one who has a magic power.
But it's still
much more a society of equals than the crew of
the first one, which was the hero and his
companions.
His followers, yes.
So, Mage #0
takes place...?
Mage #0 takes place in the Grand Canyon,
where they fight a native American ghost Manitou
creature; we are refreshed of Kevin's fear of
heights and we're introduced to Joe Phat for the
first time.
It's a good
place to demonstrate his fear of heights.
Exactly, and they become quick friends.
This is post-Mirth?
Yes.
It will be
really refreshing to see these guys after so long.
You're coming back to Mage after some time away.
Ten years.
It's been ten
years since you've done one, what's that like?
I think I really needed this sort of distance to
really give it this sort of treatment; I think if
I'd have done it a little earlier it might have
been darker then it should've been. It would've
been more like Grendel, so I'm glad I've
exercised these muscles for ten years and got
those demons out. And certainly Mage isn't
fluff, it deals with serious mythological issues,
and mortality, and those sorts of things, but it's
not the horror-fest that Grendel constantly
is.
It feels real good
to be back with these characters. I said to
somebody the other day, I don't have to think
about it, normally when I do a story I break it
down into thumbnails and kind of a flow chart
fashion and then I just kind of pick it up and go
page by page. I know kind of what is going to
happen on page 15. I kind of know what is going
to happen in issue 8. But it's a much more fluid,
almost unconscious approach to my craft but less
deliberate.
And that's
because of your long familiarity with the medium,
or have you just progressed as an artist?
You may or may not know, Kevin Matchstick is my
thinly veiled fictional alter ego. Actually part
of it has to do with that; I'm just doing what
feels familiar, so even though I love doing
horror fiction and mystery fiction, I don't have
much personal experience with that. I've never
seen a dead body, I've never seen police reports
or police procedure and certainly I've never seen
floating people and magic baseball bats as well,
but the characters in here are all culled from
people that were, and are, very close to me. A
lot of the characters are the amalgams of many
people, but it's all very familiar territory
emotionally for me.
It sounds like
you've got the whole Hero Defined arc planned
out.
To an extent. I know where it goes, like I said.
It's all a journey for me, I can see the light at
the end of the tunnel but I don't know each step
in getting there. I think that heightens the
sense of discovery that is necessary for telling
a hero journey like this.
So you don't
really find detailed outlines to be useful?
Not with Mage. With others, certainly with
Mystery Theatre, it a mystery you got to
know the end before you start the beginning. And
with Grendel I'm often working several
hundred years in advance. Mage is much
more from the heart, where the others are much
more from my head.
That's
interesting, because Grendel doesn't appear
to be going anyplace in particular; just growing
and mutating and expanding the way real stuff
does.
Yeah, right. That's another good analogy: Mage
is about growth and Grendel is about wild
growth, this cancerous mutation you were just
talking about.
Which is growth
gone mad.
Right. Grendel has got a lot of potential
for growth gone bad and Mage is about
growing up whether you want to or not.
Do you think
you're in a better position now to see the whole
Hero Defined arc through, and the comic
company won't collapse under you like it did last
time?
Well, I'm with Image and they seem to have pretty
strong footing, regardless of the Liefeld
fluctuations. But yeah, I feel pretty good. It's
basically a self-publishing effort over there. I'm
kind of at my own keel and pace, and especially
for this, that is very good. I could not stand to
have an editor breathing down my neck on this
sort of thing, when generally I'm good at the
sort of pressure on other projects.
Now, when you
did the first Mage series, the Hero
Discovered, they gave you a considerable
amount of leeway I would imagine, yes?
Editorially, yes. No, I don't mean editorial
restraints to what I can and can't do, but my own
pace. Whereas Image isn't as uptight about that
stuff, and they know you're going to get it out.
I'm certainly far enough ahead to where issue #1
comes out and you won't see another one for six
months: that won't happen. I fully planned for
this to be monthly, and it's 15 issues, so it's
going to keep me busy for awhile.
That is a
break neck pace.
In fact I'm now considering maybe I should get an
inker, so...
Really? Would
that be preferable to stretching it out to say 2
months per issue?
I don't know. That will be a decision they have
to make in a couple of months. The first Mage
series was inked by Sam Keith, so I'm not adverse
to it and I'm certain you know that the style in Mage
is simplistic enough that I am not that upset at
the thought of getting an inker.
I was more
concerned with securing a colorist that I was
very happy with. I'm such a coloring nut that I
was concerned with finding someone that would
suit me and not over do things. The fellow that I'm
working with, Jeremy Cox, who's done a variety of
things, most recently, Leave it to Chance,
and I think he's a very simple, colorful, very
defining sense of color and I'm very happy with
everything he's done so far. That's been a big
load off my mind. I colored the first series, so
I was going to be very picky about this one, but
so far he's done a great job.
So when will we
be seeing the first issue of Hero Defined?
Ships July 10. I think that issue #0 will be
available through American Entertainment about a
week before that.
Great, then we
can look forward to a steady diet of Kevin and
Joe and their buddies from there on.
They are Kirby heroes. but...
Oh, really?
The thing with Mage especially, and the
reason I want to try to keep it at this monthly
pace and not have all these big gaps between
issues, is because each issue is almost like... I
always use the analogy of something I say on an
MTV special about Heroin addiction and Methadone
clinics and this girl said, 'When you get this
prescription of heroin they give, it's not like
they give you too much, it's almost like they
give you too little. ' That is the approach I
have with Mage . You are almost to that 'to
be continued' page before you realize that you've
gotten rolling, and so you still feel that you
want more. Not that you didn't get enough, but
you definitely want that buzz again.
That is what we
call a cruel pace in this business.
I call it a skillful pace.
Well, yes, I'm
sure that it is difficult.
But certainly, all that excitement is what drew
all of us to comics in the first place. That
thrill of, 'oh my, what's going to happen?' These
days, people know how to end on a cliff hanger,
but they take such damn convoluted methods of
getting to it.
I just saw Lost
World the other day with my son, and by the
end of it you're almost bored with the dinosaurs,
you have seen so many of them, and I don't want
you to get that way with this.
Do you think it's
a different market then it was ten years ago?
Certainly it's a different market and a different
industry, but I think it's a very good time for
me to hit right now, in that I think people are
tired of flash-in-the-pan one-shots; they
generally like the accessibility of mini-series,
but a mini-series isn't quite enough to really
get you involved.
It's like one nice
big dinner. That won't keep you healthy for the
rest of your life. And I think right now there is
this market, and I'm really interested in some of
this, "I want to get involved with this but
I don't want it to be over in three months. But I
also don't want to have to read 45 issues of
something just to catch up with what's going on
now", and that's why I think it's a good
time for this to premiere because again, you can
pick it up right off the bat. You could almost
pick it up at any issue and catch on to what is
going on. There's a definite beginning, middle
and end but it stretches over a year and a
quarter, that's a good decent chunk of time to
get involved with something without committing 20
years of your life to it.
So it's a
limited story, but a long one.
That's right.
And the Hero
Denied would be some time thereafter, and I
must admit that title has me somewhat worried.
See, now I don't want that to take ten years, too.
No promises, I must say. I fully intend not to
take ten years on that one.
And you already
have a fairly detailed idea of what that will be
about as well?
No, I don't have much of any idea of what that's
going to be about, yet. I will kind of know more
about that one as get towards the end of this.
Well, is that
going to be the 3rd part of the Campbellian uber-myth
of going into the darkness, and facing the beyond
which is unknowable, and then coming back to your
tribe and showing them something new, something
unique that you have brought from the outside?
I would think so, yeah. When I first finished Mage,
I was not much aware of Campbell's work and I sat
down to read the Hero With a Thousand Faces
and boy, the first stage of the Hero Journey is
just like a synopsis of the Hero Discovered and
I think I'm really getting that the second stage
of the Hero Journey with the Hero Defined,
so I would bet that yes, I'm headed for the first
stage in issue...
No, you're
right because in the second phase, he is actually
in a supernatural world. Every inhabitant of his
world is a superhero. So he's gone from the
natural world into the supernatural beyond..
There's a certain rivalry of the heroes. So yeah,
I would imagine that's where I'm going, couldn't
tell you...
We have tracked
down the reprint film for the first series, so we're
hopefully going to purchase it back from the
people that have it and recolor the entire thing
on the computer and hopefully have that out in a
single volume for the first time ever.
Boy, that's top
news.
I think next spring is the earliest we could
probably do that.
Well, you know,
although it's nice to adopt a long series as sort
of a familiar friend for a year or two, it's also
really nice to read it in one volume.
Absolutely, and Mage is one of those that
really works as that too, and it's never been in
one volume, so that will be very nice to see.
We're working with
Graphitti Designs to do action figures. In fact
we think we're going to have (with fingers
crossed) we should have prototypes by San Diego.
And which one's
would those be?
We're going to start with Kevin and Hunter Rose
and he's also doing a Madman. When you think
about it, there are a lot of supporting
characters in Mage. There's about six
Grendels right off the bat, without even getting
to the villains yet. Madman, you could make
Madman like Kenner's made Batman. You could just
do 50 different versions of Madman. Nightflyer
Madman, Scuba Guy Madman, it could go on and on
and on. So I really hope that works out, that
looks like it's going to be a lot of fun.
You can have
the Grackleflint's elbow spurs emerge and what
not.
Yeah. We're actually trying to have Kevin's magic
bat light up, so that's going to be a big plus.
I see that you're
going to be involved with Doctor Mid-Nite, the
guy who's blind in the daytime.
It is Doctor Mid-Nite; it's basically a revamp of
that character. It's the same character with the
same power but he's in modern day, so we could
not make him Charles McNider, who would be 80 or
90 years old and as a matter of fact, they killed
him off in Zero Hour. But we updated him
to modern day, and he's a guy who's blind and can
only see in the dark.
And he's an
activist doctor: that's the more interesting
thing that we were shooting for. The first issue
shows him handing out bleached and sterilized
needles to junkies and condoms to hookers on the
streets; he's the midnight doctor. He's outside
the realm of medical practice from most people's
standards.
And when we tell
people that, a depressingly typical response is,
'oh man, that means he uses scalpels, right?' And
we're like, 'no, he carries a little black bag.
He's a healer, not an avenger!' So that's being
painted by John K. Snyder III and it's really
fabulous work, it's so intricate it's taking a
really long time to get it done, but it will be
well worth the wait because it will give a whole
new light to that character, I guarantee it.
Looking at a lot
of painted books, there's usually one big splash
panel that has all the rendering. Then the other
stuff is quickie stuff, but John's tending to put
the same amount of detail into each and every
panel which I keep trying to beat out of him. I
keep saying, 'John, that beautiful background, it's
just too bad I'm going to cover it up with
balloons.'
So that is
sometime in the indefinite future?
Yeah, I would say sometime next year it will be
out. He's about a week away from being done with
issue #2 and it's a three issue prestige series.
The only other
project I'm involved in right now is Grendel:
Black, White and Red. The first issue will be
out in either December or January, depending on
how quick everything gets done. It's a four issue
mini-series, and they are all untold tales of
Hunter Rose and they are all written by me and
they are in black, white and red. And drawn by a
big plethora of just a bunch of great artists. We
got Mike Allred, Paul Chadwick, Sam Keith, Tim
Sale, Tim Bradstreet, Jason Pearson, Guy Davis,
and I'm drawing a blank now..."and many more
of today's hottest artists."
That's a wide
range of styles too.
I distinctly am trying to write each and every
one to match the artist involved, and so far my
editors over at Dark Horse seem to think it's
really working well. I got a call from the one
assistant editor and he was like, 'when I read
these, I was thinking that's that guy drawing
that .'
So it's not
four tales in a row, it's quite a few?
Yeah, it's four issues and there are 5 eight-page
stories in each issue.
Any truth to
what James Robinson said, about you being
involved in the JSA miniseries, someday, down
the road?
Yeah, some day when James and I both have space
to breathe. That will be... we picture that being
a mini-series that will be structured kind of
like the old All-Stars in that we would
get a different artist to draw each short story,
so it wouldn't be the JSA's first adventure, it
would be the sum of the events that would lead to
their formation. So basically the last page would
be the cover to All Star #3 where they are
gathered around the table for the first time. So
you'd have a Hawkman story, a Dr. Fate story, a
Sandman story, etc. Not every issue. Then they
would obviously overlap a little bit but we would
try and keep it singular until the final issue
when events are going too fast and they are all
together. It's pretty ambitious.
Well, having
seen the Golden Age and your own Sandman,
I'm confident, but really eager to see this now.
We both have a pretty genuine affection for these
characters and we both work really well together.
The pseudo-crossover that we did between Sandman
and Starman really worked out well, and it
was all based around one or two conversations,
then we went our separate ways and it all really
melded very nicely.
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